NDI, which stands for Network Device Interface, is a royalty-free IP video connectivity standard that lets multimedia systems identify each other, connect, and exchange high-quality, low-latency, frame-accurate video, audio, and metadata over standard Ethernet networks. Originally developed by NewTek in 2015 and now maintained by Vizrt Group, NDI is the right choice for any UK production team that needs flexible, many-to-many video routing without running new SDI or HDMI cabling between every device.
When NDI makes sense for professional UK setups:
When it probably does not:
NDI is the right production transport for any UK event team that needs flexible, many-to-many IP video routing, provided the network is properly configured with managed switches, VLANs, and QoS from the outset.
| Point | Details |
|---|---|
| NDI is a production transport, not a delivery protocol | Use NDI inside the production network; convert to SRT or RTMP at the output stage for CDN delivery. |
| Full NDI needs significant bandwidth per stream used in professional setups | Use NDI |
| Network configuration is non-negotiable | Managed switches, dedicated VLANs, QoS, and an NDI Discovery Server are required for reliable multi-source productions. |
| NDI 6.3 enables cloud transport without VPNs | Remote contributors can now appear as local NDI sources over standard internet connections. |
| Fireflyav supplies NDI kit and technicians for UK events | Equipment hire, network setup, and onsite technical support are available for NDI-based productions. |
NDI works in four distinct stages: discovery, negotiation, compression, and transport. Understanding each one explains why NDI behaves the way it does on a real network.
By default, NDI uses mDNS (the same Bonjour protocol Apple devices use) to announce sources on a local subnet. Any NDI-capable application on the same subnet sees those sources automatically. For larger or multi-subnet venues, mDNS is unreliable. The NDI Discovery Server and manual NDI Access entries solve this by giving every device a central registry to query, regardless of subnet boundaries.
Full NDI uses an intra-frame codec, meaning every frame is compressed independently with no reference to adjacent frames. That approach produces near-zero encoding delay, which is what makes frame-accurate live switching and confidence monitoring possible. It is fundamentally different from the long-GOP codecs (intra-frame codec, H.265 respectively) used for internet streaming, where the encoder looks ahead and back across multiple frames to find redundancy.
NDI|HX and HX3 use intra-frame codec and H.265 respectively. They trade some latency for significantly lower bandwidth, which matters on constrained networks or when a mobile device is acting as a source.
NDI 5 introduced Reliable UDP (RUDP) as the modern default transport, combining UDP’s low latency with packet-loss recovery. Earlier and alternative modes include standard TCP, Multi-TCP (parallel connections for throughput), and UDP with forward error correction. The choice of transport mode is negotiated automatically between sender and receiver based on network conditions.
NDI carries bidirectional XML metadata alongside every stream. Tally signals (on-air and preview states), PTZ camera control commands, and custom application data all travel in the same connection as the video. A vision mixer can tell a PTZ camera it is live, and the camera’s tally light responds, without any separate control cable.
Pro Tip: On a complex venue network, switch your NDI sources to use the Discovery Server from day one. Relying on mDNS for more than a handful of devices on a single subnet is the single most common cause of “missing sources” on show day.
Full NDI, NDI|HX, and NDI|HX3 are not interchangeable. Each suits a different point in a workflow, and picking the wrong one for a given link wastes either bandwidth or latency headroom.
| Variant | Codec | Typical bandwidth | Latency | Best use |
|---|---|---|---|---|
| Full NDI | Intra-frame (SpeedHQ) | typical network bandwidth range | Near-zero (sub-frame) | Local switching, multiview, confidence monitoring |
| NDI | HX | intra-frame codec | lower bandwidth | Low (a few frames) |
| NDI | HX3 | H.265 respectively | around 50 Mbps | Low to moderate |
NDI Bridge, introduced alongside NDI 5, routes NDI sources across subnets, wide area networks, and the open internet. It acts as a relay: sources on one side are published to receivers on the other, with the Bridge handling the transport between them. NDI 6.3 went further by adding native cloud transport, so NDI sources can be routed over the internet without a VPN. For mission-critical productions, wired Gigabit Ethernet remains the recommended backbone regardless of what cloud transport makes possible.
The practical rule: use full NDI for every local link where your network can support it, drop to HX3 for remote contributors or bandwidth-limited segments, and use NDI Bridge or cloud transport only when you genuinely need to cross a WAN boundary.
NDI runs on standard switched Ethernet, but “standard” does not mean unmanaged. The difference between a production that runs cleanly and one that drops frames mid-show usually comes down to how the network was configured before the kit arrived.
Backbone and cabling:
Bandwidth per stream:
Figures sourced from NDI for Video technical documentation.
Configuration essentials:
Pro Tip: Ask the venue for a network diagram before you arrive. Knowing whether the switches are managed, what VLANs already exist, and whether there is a 10GbE core saves hours of troubleshooting on the day.
HDMI and SDI remain preferable for simple point-to-point connections where you are not crossing a network, particularly over long cable runs where SDI’s 75-ohm coax handles distances that HDMI cannot. The moment you need more than a handful of fixed connections, or you want any source to reach any destination without re-patching physical cables, NDI’s flexibility pays for the network overhead.
SRT and RTMP are not competitors to NDI in the same sense. NDI is a production transport for moving signals inside a facility or event; SRT and RTMP are contribution and delivery protocols for moving encoded streams over the internet to CDNs or remote sites. A typical workflow uses NDI internally, then converts the programme output to SRT or RTMP at the encoder stage for CDN delivery.
The canonical NDI production chain runs: NDI camera or encoder → NDI-capable vision mixer → multiview monitor → recorder → encoder for CDN output. Every link in that chain is a network connection rather than a physical cable, which means sources can be added, removed, or rerouted from software without touching the patch bay.
A typical corporate conference setup places NDI PTZ cameras around the room, feeds them into a vision mixer over the venue’s managed network, and distributes the programme feed to IMAG screens and recording systems simultaneously. Tally signals travel back to each camera automatically, so operators always know which camera is live.

NDI suits fixed installations well because the network infrastructure is permanent and the sources are predictable. A church or auditorium can run NDI cameras, a graphics system, and a presentation PC as sources, all visible to a single vision mixer without any physical routing changes between services.
NDI Bridge or cloud transport (NDI 6.3) lets a remote contributor’s feed appear as a local NDI source inside the production network. An outside broadcast van can send a camera feed back to a studio over the internet, where it appears alongside local sources in the vision mixer with no VPN required.

NDI sources can feed digital signage displays directly when the display or media player supports NDI input, removing the need for a separate video distribution system for lobby screens and breakout room displays.
Pro Tip: Run a dedicated NDI multiview on a spare monitor at the vision mixer position. Seeing all sources simultaneously, with tally overlays, catches camera or encoder failures before the director notices.
The NDI ecosystem divides into software tools, the developer SDK, and hardware devices. All of them connect to the same network and appear as sources or destinations to each other.
Vizrt publishes a free NDI Tools bundle that includes:
The NDI SDK is available royalty-free for developers building NDI-capable applications. The specification is maintained by Vizrt, and the commercial ecosystem around it (hardware encoders, cameras, vision mixers) is built by third-party manufacturers under that open licensing model.
NDI cameras and encoders:
Capture and monitoring:
Routing:
For a broader view of broadcast hardware categories that support NDI deployments, the Fireflyav broadcast AV equipment guide covers the full range of device types and their roles.
This checklist covers a single-day production with up to six NDI sources, one vision mixer, and one CDN encoder output.
Pro Tip: Label every NDI source with a clear, consistent naming convention before the show (e.g. “CAM1-STAGE”, “GFX-LAPTOP”, “REPLAY”). Generic auto-generated names like “NewTek NDI” become impossible to manage when six sources appear simultaneously in the vision mixer.
Fireflyav deploys NDI across corporate conferences, eSports events, and broadcast productions throughout the UK. The kit list for a typical mid-scale NDI production includes:
Operational lessons from Fireflyav productions:
The migration from SDI and HDMI to IP-based production is not a future event. It is happening now, and NDI is the most accessible entry point for teams that are not yet running SMPTE ST 2110 or other broadcast-grade IP standards.
The honest caveat is that NDI is not as simple as its “plug and play” marketing suggests. Network planning is as important as the video gear itself. A team that invests in a BirdDog camera and a vision mixer but skips the managed switch and VLAN configuration will have a worse experience than a team running SDI. The technology is only as good as the network underneath it.
Where Fireflyav advises clients to invest first: the network backbone. A 10GbE managed switch with proper VLAN and QoS configuration unlocks everything else. After that, trained technicians who understand both IP networking and broadcast signal flow are worth more than any single piece of hardware. The kit is commoditising; the expertise is not.
The forward-looking note: NDI 6.3’s cloud transport is genuinely significant. Remote production workflows that previously required dedicated fibre or complex VPN configurations are now achievable over standard internet connections. That changes the economics of remote contribution for smaller productions and opens up workflows that were previously only viable for large broadcasters.
Fireflyav supplies NDI-capable equipment and experienced technicians for corporate conferences, broadcast productions, eSports events, and live events across the UK. The difference from hiring kit alone is that every Fireflyav deployment comes with engineers who have planned and operated NDI workflows on real productions, not just configured them in a lab.

For an NDI deployment, Fireflyav can supply BirdDog PTZ cameras, Studio NDI encoders, managed switching infrastructure, Blackmagic monitoring and recording hardware, and a technician who handles network configuration, source discovery, and signal path testing before your event begins. If you need onsite technical support for a production where NDI is part of the workflow, or you want to understand which kit suits your specific event, the AV equipment guide for event planners is a practical starting point. To discuss a specific production, get in touch with Fireflyav directly for a technical consultation and quote.